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Pottery that Captivates the Hand, Heart, Eye By LUCIA K. HYDE writer for the Wonderful West Virginia Magazine
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Lockbridge Road in Summers County winds for several miles through rolling farmland, past houses and grassy meadows, before arriving at an old, two-room schoolhouse. The school sits well back from the road on tidy grounds. Clusters of flowers bloom around the broad front porch, and the school's canine mascot naps on the stone walkway. In the large field that stretches off to one side, you might expect to see a set of swings and a metal slide, but at this school, potter Jeff Diehl and his family have created their own sort of playground.
In
his more than 20-year career as a full-time potter, Diehl has developed both a
thriving studio and a lifestyle as beautiful, unique, and functional as his
pottery. In 1980, Diehl and his wife, Donna, established Lockbridge Pottery by
turning the abandoned country schoolhouse into a ceramic studio and home.
Neighbors who had attended the school as children helped the Diehls remodel the
beloved building. 'We have great neighbors,' says Diehl. 'They all went to
school here. They have been invested in the care of the property and interested
in our lives since we moved in.'
One of the old classrooms serves as Diehl's studio, where he spends 45 to 50 hours per week throwing clay. 'I always have fun in here,' claims the award-winning potter. Metal shelves filled with fresh, unfired pieces line the spacious room that also houses Diehl's potter's wheel and office. A collage of photographs, memorabilia, and artwork fills one wall and reflects his three loves: family, ceramics, and kayaking.
The
Diehls added bedrooms and a kitchen, bathroom, firing room, wood shop, and newly
finished gallery to the school. From the porcelain sink basin in the bathroom to
the intricate kitchen counter tiles, evidence of Diehl's handiwork appears in
every corner of the house. The Diehls have also used the building to raise and
home school their two sons, Erik and Andrew. Both teenaged boys are accomplished
potters, musicians, and kayakers. The whole family assists Diehl with glazing
and firing his pottery. 'My family helps out tremendously,' says Diehl. 'They
are a critical aspect of the operation.'
The family also helped Diehl construct one of the most unique features of the property is the traditional, German salt kiln. Using rocks salvaged from dilapidated local buildings, the Diehls constructed a round outbuilding to house the kiln. The practice of salt firing originated in Northern Germany, where potters used driftwood for wood-fueled firing. Sea salt from the driftwood left unique patterns on the finished pots. Potters in Southern Germany eventually refined the process into an established art form. During a single firing, Diehl uses up to 100 pounds of Morton table salt to achieve beautiful salt-pattern surfaces. He is among the few potters in the United States trained in the art of salt firing. Although Diehl fires a majority of his work in a gas reduction kiln, he feels a special fondness for his salt-fired pieces. 'I love the magic of salt firing. The finished product looks a lot like wet clay. It keeps the liveliness going.'
Diehl
himself molds liveliness into his work. Wavy and slightly tilted bowls, tureens
with elephant trunk ladles, and teapots with porcelain wheels are just a few
examples of the way he blends elegance and superb craftsmanship with humor and,
well, funkiness. Out of his wide repertoire of vessels, Diehl most enjoys
throwing teapots. He explains that teapots demand the greatest range of skills
to create an attractive and serviceable end product. He prides himself on the
utility of his pottery. 'I want my pots to be appealing to your hand, heart and
eye. I strive for beauty in function,' he says.
Diehl draws inspiration from a myriad of sources, including his family, customer ideas, animals, dreams, and other cultures. He occasionally decorates pieces with ancient Chinese Sung Dynasty peonies and lotus patterns. The idea for a wheeled teapot came from Han Dynasty rolling figurines. Diehl has looked to Anasazi and other Native American earthenware for patterns and such specialty items as rattle mugs. The exquisite glazes Diehl creates from raw materials make his finished pots true masterpieces. His ceramics appear in collections worldwide at such prestigious establishments as the Smithsonian's Renwick Gallery in Washington, D.C. He has won eight best-of-show awards at the Appalachian Arts and Crafts Show in Beckley, a merit award at the Mountain State Arts and Crafts Fair, a craft fellowship from the West Virginia Commission on the Arts, and a professional development grant from the West Virginia Division of Culture and History.
'
I
was born with clay in my blood,' states Diehl matter-of-factly. His
great-grandfather worked as a potter in Germany and his grandfather had a studio
in New Jersey. Diehl remembers playing with his grandfather's discarded pot
shards as a child. His formal ceramic education began at Berea College in
Kentucky. He studied in the college's ceramic apprenticeship program for four
years and apprenticed for a year in Germany, near where his great-grandfather
lived.
For the past six years, Diehl's national reputation, along with his large following of patrons, has enabled him to sell his work almost exclusively through home-studio shows and commissions. The Diehls host four studio shows per year that are a festive combination of games, music, pottery lessons, food, and, of course, an opportunity to purchase Diehl's work. Erik and Andrew jam jazz and blues tunes on piano and harmonica, and guests rove amid clay-throwing contests, golf-chipping games, and canoe rides. Diehl encourages his visitors to try making a pot themselves. He has developed special clay that allows for immediate glazing and firing in a fast-firing Raku kiln. Guests can take home their own 'masterpieces' the same day.
'After 22 years, pottery is still exciting for me. It's never like a job,' muses Diehl, as he surveys a shelf stacked with beautiful vases, platters, bowls, and fountains. In those years, Diehl has built a successful studio, a loving family, and a legacy as one of West Virginia's best-known potters. And clearly, he is still having fun.
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Erik at Berea College in Kentucky.
Andrew driving into the sun! |
Donna in the kitchen. |